Print and download in PDF or MIDI Scherzo - F.Chopin, Op.31. Free sheet music for Piano. Made by Y.Murakami@TYO. For Chopin, the scherzo form (ABA, or ternary) was indeed a skeleton, just as ternary form was for all of his dance music, and he embellished upon this skeleton as he saw fit. 20, 31, and 54 Scherzos, Chopin achieves his dramatic effect through the ternary form we find in most scherzos. The third of the four independent scherzos, Op. 39, is in a modified sonata form.
Chopin Scherzo no. 3 in C sharp minor, Op. 39, Alice Gi-Young Hwang
performed November 2011 | |
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The Scherzo No. 3, Op. 39, in C-sharp minor by Frédéric Chopin, completed in 1839, was written in the abandoned monastery of Valldemossa on the Balearic island of Majorca, Spain.[1] This is the most terse, ironic, and tightly constructed of the four scherzos, with an almost Beethovenian grandeur.
Frédéric Chopin dedicated this composition to one of his closest pupils, Adolphe Gutmann.[2]
Structure[edit]
The piece begins in the key of C-sharp minor, then moves to D-flat major, and returns to C-sharp minor, concluding with a Picardy third. The composition opens with an almost Lisztian introduction, leading to a subject in octaves of pent-up energy. The key changes to D-flat major, with a chorale-like subject, interspersed with delicate falling arpeggios. Louis Kentner thinks of it as 'a Wagnerian melody of astonishing beauty, recalling the sound of tubas, harps and all the apocalyptic orchestra of Valhalla.'[citation needed]
It begins with an introduction progressing into the fierce main theme. This is particularly difficult to perform, due to the technique needed to accurately and quickly execute the running octave patterns. The scherzo then moves into a transition section that leads back to the main theme. The following, singing style (cantabile) section is in D-flat major. The main theme and its sequences begin with strong chords that hold the melody followed by a downward flutter of notes. There follows a brief section consisting of a series of arpeggios. The elements of this lyrical section repeat themselves a few times and the piece then moves back into the main theme.
References[edit]
- ^Niecks, Frederick (1973). Frederick Chopin as a man and musician, Volume 2. Cooper Square Publishers. p. 28. ISBN0815404786.
- ^'Music analysis'. Ourchopin.com. Retrieved 2014-05-03.
External links[edit]
- Scherzo No.3: Scores at the International Music Score Library Project (IMSLP)
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